Gijs Van Vaerenbergh

043 Six Vaults Drawing 02
043 Six Vaults Photo 01 Photo Filip Dujardin
043 Six Vaults Photo 02 Photo Filip Dujardin
043 Six Vaults Photo 03 Photo Filip Dujardin
043 Six Vaults Photo 04 Photo Filip Dujardin
043 Six Vaults Photo 05 Photo Filip Dujardin
043 Six Vaults Photo 06 Photo Filip Dujardin
043 Six Vaults Photo 07 Photo Filip Dujardin
043 Six Vaults Photo 08 Photo Filip Dujardin
043 Six Vaults Photo 09 Photo Filip Dujardin
043 Six Vaults Photo 10 Photo Filip Dujardin
043 Six Vaults Photo 11 Photo Filip Dujardin
043 Six Vaults Photo 12 Photo Filip Dujardin
043 Six Vaults Photo 13 Photo Filip Dujardin
043 Six Vaults Photo 14 Photo Filip Dujardin
043 Six Vaults Photo 15 Photo Filip Dujardin
043 Six Vaults Drawing 01

Six Vaults

As part of the centennial commemoration of WWI, a new entrance pavilion was designed for the German military cemetery in Hooglede (BE). Six Vaults Pavilion is conceived as a massive concrete block, out of which six vaulted spaces were cut out. The vaults are positioned along various angles, resulting in diagonally oriented spaces that frame fragments of the surroundings.

The square volume (9 x 9 x 5m) stands on a floor of large irregular concrete tiles. On one side of the pavilion, this floor accommodates parking spaces. On the other side, tiles have been left out of the pattern, creating spaces for greenery. These scattered green areas lend the pavilion an air of decay. While the white concrete volume is pristine and untouched, it appears as if nature is about to overgrow the site.

The spaces underneath the pavilion echo the theme of vaulted architecture that is also present in the Erehalle at the cemetery. Through its axial distortions, Six Vaults Pavilion presents a contemporary interpretation of this historical construction method. Whereas, traditionally, it was mainly used to create spaces of order and symmetry, in the pavilion the artists experiment with its potential for irregular spaces. The resulting geometric design with skew diagonal arched spaces results in 8 pillars of various shapes and sizes. One of the pillars is significantly larger and subtly houses a public restroom.

The pavilion and the floor it sits on carefully orchestrate the entrance to the cemetery. It frames views towards the cemetery and the surrounding landscape, but also characterises the cemetery as an unspecified monument. Its austere aesthetic and formal associations herald the cemetery as an exceptional place. Upon entering the pavilion, one leaves behind everyday life and becomes immersed in the slow pace and atmosphere of this place of memory.

COMMISSION
Municipality of Hooglede

DATE
2017 (permanent)

LOCATION
German Military Cemetery, Hooglede (BE)

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